MIST

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ULTIMATE NOMAD DEVICE FOR DAILIES ON-SET

M I S T mobile is the most comprehensive system for on-set and near-set dailies.
All in one powerful portable workstation, able to work live with industry camera leaders (ARRI, SONY F65, RED...). Qualify, secure and transcode your dailies. Monitor immediately the result, and apply or test your first color decisions.

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STATE-OF-THE-ART DIGITAL CINEMA

M I S T DCI Mastering is the most versatile turn-key system for professional DCP creation.
Able to preview and modify assets in their native format, including ACES, and to encode faster than real-time compliant DCP with KDMs. Easy creation of supplemental DCPs. Full support for HFR and AFR.

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A FLEXIBLE SOFTWARE SOLUTION FOR I/O MANAGEMENT

M I S T prime is a software only solution featuring all M I S T powerful functionalities. It can be installed on a certified system, or on a custom workstation adjusted to your facility workflow, allowing both budget and features scalability. A DCI Mastering and IMF Packaging software option is available.

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INTEROPERABILITY UNLEASHED

M I S T IMF Mastering helps you create, share and manage your multiple deliveries.
Creation of IMF packages, also from ACES, import and playback of already packaged files. Multiple OPLs management, support for MXF-AS02 and MXF-AS11.

M I S T mobile IS THE MOST EFFECTIVE SOLUTION FOR DAILIES INGEST, MANAGEMENT & EXPORT

UNRIVALLED INGESTING CAPABILITIES
  • Digital cameras : SONY F65 and F55, ARRI Alexa (ARRIRAW and ProRes), Phantom (Gold and Flex), Aaton Penelope Delta (CinemaDNG), RED One & RED Epic (R3D, multiple REDRockets support), Weisscam, SONY XDCAM (MPEG2 & MPEG4), Canon (C500, C300, 5D, 7D) or Nikon 4D (H264)
  • RAW data through SDI live ingest
  • Camera video output capture in real-time
RAW DATA DEBAYERED IN REAL-TIME WITH MOSAIC ™
  • M I S T's new debayering engine MOSAIC ™ is able to simultaneously debayer and playback RAW footage in real-time, in 2D and Stereo3D, at the camera's native resolution, up to 60 FPS
  • MOSAIC™ allows real-time down-sampling from 3K to 2K/HD
  • MOSAIC™ is already available for ARRIRAW (Alexa and D21), PHANTOM cine files, Weisscam files and Adobe DNG files (including Aaton Penelope Delta and Black Magic Design)
EXPORT MULTIPLIED
  • M I S T new rendering engine JAZZ ™ allows real-time transcoding of multiple rendering streams: iPad review, Smart-Jog satellite streams, web streaming, DVD/Blue-Ray burning
  • Export EDL and ALE for AVID, FCP and Premiere
  • Create transcoding templates
EXTENDED CREATIVE & MANAGEMENT FEATURES
  • Live grading, included in IIF/ACES
  • On-the-fly resizing (pan&scan, aspect ratio) and down-sampling
  • Raw parameters management integrated in the grading pipe-line
  • Burn-ins of TimeCodes, custom metadata and aspect ratio blankings
  • Extensive grading features, including six vectors of Secondary corrections for keing
  • Sound synchronization
MANAGE YOUR DAILIES, ANYTIME, ANYWHERE
  • On-Set / Near-Set dailies for immediate monitoring of your shootings, first color decisions and security backup
  • In-Lab, for the I/O files management and the dailies processing (color correction, sizing, metadata management, EDL and ALE export)
  • In-Theater, for live reviews of your native files in digital projection conditions, thanks to M I S T output capabilities in XYZ DCI
STEREO3D DAILIES SILKY PROCESS
  • Pan, Scan and Mirroring functionalities, including the keystone effects management
  • Grading can be applied either on the Left, Right or both eyes, and can be easily compared (per eye, dissolved, etc), memorized and recalled.
  • Automatic color balance function for an immediate correction of the difference of luminance in the cameras
  • Convergence settings permitting the management of the depth

M I S T DCI mastering IS THE ONLY EFFICIENT ALTERNATIVE FOR MASTERING A COMPLIANT AND TRUSTFUL DCP

WHAT YOU SEE IS WHAT YOU WILL GET
  • Prepare your master in M I S T timeline: select your clips, add the audio files and load the subtitles
  • Mix resolutions & file formats, prepare 2D or Stereo3D projects or versions
  • Monitor directly the image during preparation on a DCI projector with the XYZ DCI output support
EDIT, ADJUST, MODIFY YOUR CONTENT
  • Modify Composition length, create the DCP reels
  • Add logo files or credits
  • Edit the subtitles
  • Modify the audio channels mix
DCP AND BEYOND
  • Repackaging and versioning of existing DCP
  • Support of HFR and AFR (Archival Frame Rate)
  • Choice to burn the subtitles in the image or to export them in a DCP package
DCI KEY FEATURES
  • Create DCP from ACES
  • Creation of DCI compliant DCPs in SMPTE phase 1 or JPEG Interop in 24/48 or 25/50 FPS
  • Native support of DPX, TIFF, TARGA, JPEG, PNG, JPEG2000, MXF DNxHD, MXF IMX & MPEG2 (SONY XDCAM), Apple ProRes
  • Support of MXF,XML or PNG subtitles (import & export), 24/25 management
  • JPEG2000 acceleration board for real-time encoding in 2K and fast encoding in 4K
  • Color Space Chromatic Adaptation for a perfect DCI XYZ transformation
  • Real-time playback of already packaged DCPs
SECURITY & CONTROL
  • Automatic controls (SumCheck) for integrity controls
  • Track essence encryption
  • Key Delivery Message creation (KDM and DKDM)

M I S T IMF Mastering HELPS YOU SHARE AND MANAGE YOUR MULTIPLE DELIVERIES

CREATE IMF PACKAGES IN A CLEAR, INNOVATIVE AND INTERACTIVE WAY
  • Intuitive and clear user interface
  • Creation of the Output Profile List (OPLs) using the FlowGraph
  • Addidition and modification of the processes applied on the OPLs: Color Space conversions, LUTs, resizing
  • Support of subtitling and reel-management
IMF ROUND TRIP
  • IMF from ACES
  • Import and Playback of IMF packages
  • Automatic generation of specific content by rendering one or several OPLs
  • MXF-AS02 and MXF-AS11 support

M I S T Prime IS THE PERFECT SOLUTION TO EASILY CONFORM ANY KIND OF PROJECTS

ADAPTED TO YOUR SPECIFIC PROJECT NEEDS
  • Automatic, semi-automatic or manual conforming
  • Support of any type of source format (RAW data, video files, scanned sequences)
  • Conforming from compositions in XML (from Final Cut Pro), AAF and OMF formats
  • EDL CMX3600 support, including specific renaming tools and list manipulation capabilities
  • Transparent STEREO3D conforming process, automatically performed either from a single EDL referring to both eyes, or from 2 EDLs
FLEXIBILITY ALL ALONG THE WORKFLOW
  • Re-creation of transitions and dissolves in respect with editorial decisions
  • import and export of EDL or ALE log format for Avid, FCP and Premiere

M I S T - AN EASY INTEGRATION IN EVERY EXISTING ENVIRONMENT

THE BRIDGE BETWEEN THE VIDEO AND THE DI WORLD, FROM SD TO 4K RESOLUTIONS