With the advent of 5K RAW data, the generalization of 4K scanning, and the explosion of stereoscopic productions, Digital Intermediate is not anymore a matter of grading functionalities only. Our solutions for Film makers do have a large variety of color correction tools, and can also process the images in real time, in their native file format, avoiding conversion time-loss.
The whole Film workflow, from dailies to delivery, is fully answered with extremely fast, easy to handle powerful solutions, providing far above the ground productivity of high quality pictures.
ADVANCED GRADING AT FULL SPEED
All the color corrections features are designed to be the most sophisticated possible, while being extremely fast, simple and easy to use, bringing maximal productivity and efficiency to the workflow.
Working with the native material in real-time is not only limited to image files, is also extended to audio tracks. All our products support multiple 24bits broadcast quality audio tracks per clip, or global.
UNLIMITED POSSIBLE WORKFLOWS
All our solutions are able to work directly with any native file formats, including ARRIRAW, RED Epic stereoscopic or Weisscam, and to mix, in the same time line, different frame rates, resolutions and formats. ACES end-to-end workflow is also fully supported.
The delivery of media is also greatly facilitated by the number of supported formats, the possible output of multiple versions in real-time and the batch convert capabilities.